Sikandar Box Office Day 2: Salman Khan Film Grows on Eid Despite Mixed Reviews

Quick Summary

• Film Release & Performance: Salman Khan’s latest action thriller Sikandar, directed by AR Murugadoss, was released worldwide on Sunday, March 30, ahead of Eid 2025. Despite mixed-to-negative reviews, the film earned Rs 26 crore net on its first day and Rs 29 crore net on its second day (Eid-ul-Fitr), bringing the two-day domestic box office collection to Rs 55 crore.
• Audience Reaction: The movie has faced criticism from audiences and critics alike for being “outdated,” with even Salman Khan fans expressing disappointment over his recent string of underwhelming films like Radhe, Race 3, and Kisi Ka Bhai Kisi Ki Jaan. Calls for his comeback have arisen within fan circles.
• Production details: Directed by AR Murugadoss (who previously helmed Bollywood hits such as Ghajini), the film is produced by Sajid Nadiadwala under Nadiadwala Grandson Entertainment. Rashmika Mandanna stars opposite Salman Khan in both this film and Vicky Kaushal’s competing release Chhaava.
• Supporting Cast: The ensemble cast includes Kajal Aggarwal, sathyaraj, Sharman Joshi, Prateik Smita Patil, Kishore, and Jatin Sarna.

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Indian Opinion Analysis

Sikandar’s box office numbers reflect a temporary boost due to Eid festivities rather than sustained audience approval. The mixed reception signals potential challenges for superstar-driven cinema amid growing audience preference for original content and higher production standards.director AR Murugadoss’s return after nine years may not have met expectations despite his strong track record in regional industries like tamil cinema.

Salman Khan’s recent films struggling to gain critical or commercial acclaim highlights shifting dynamics within Bollywood – where star power alone cannot guarantee success anymore – underscoring the need for storytelling evolution alongside market demands. competing with well-rated offerings like Vicky Kaushal-starrer Chhaava, which also stars Rashmika Mandanna as a lead actress suggests that multi-star power no longer consistently overrides script quality or execution.The performance outcomes will be instructive for future collaborations between marquee actors/directors/producers aiming at pan-regional appeal amidst increased cross-industry competition within Indian cinema markets.