AR Murugadoss Shares Blame with Salman Khan for Sikandar’s Debacle

IO_AdminUncategorized4 months ago41 Views

Quick Summary

  • Sikandar, directed by AR Murugadoss, starring Salman Khan and Rashmika Mandanna, has faced widespread criticism for its weak execution.
  • The movie follows a convoluted storyline where Salman Khan’s character,Raja Saab (also known as Sikandar),vows to protect the recipients of his deceased wife’s donated organs as an act of repentance.
  • Rashmika Mandanna plays Rani Saisri but struggles due to the limitations of her role and lackluster chemistry with Salman Khan.Her character is killed early in the plot.
  • Supporting actors like Kajal Agarwal, Sharman Joshi, Anjini Dhawan, and Prateik Babbar perform adequately despite limited screen time.
  • the movie suffers from poorly executed VFX, flat dialogues (“Qayde main rahoge toh fayde main rahoge”), and unconvincing performances from both leads.
  • While attempting to balance themes like organ donation,environmentalism,women’s empowerment,and alpha male redemption tropes,critics argue that Sikandar ends up being chaotic rather than impactful.

Indian Opinion Analysis
Sikandar serves as an example of how overambitious narratives can undermine otherwise strong premises. Despite having a talented team behind it-AR murugadoss (renowned for reinvention) and big-name stars-the film seems unable to tap into their strengths effectively or satiate audience expectations during festive releases typically designed for mass appeal such as Eid offerings from Salman Khan. By aiming at thematic diversity without cohesion-organ donation advocacy tied incongruously with masala tropes-the film lands amidst mixed messaging instead of coherent storytelling.

Its failure also highlights Bollywood’s need to address recurring concerns about meaningful screenplay advancement over formulaic approaches relying heavily on star power or superficial elements like grand entries and one-liners alone becoming passe in modern cinematic standards globally calling creative risks on compelling depth prioritization post performing arts diminishing repetitive trends..

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