Ashok Kandimalla, 73, Keeps His Passion for Photography Alive

Quick Summary:

• Ashok Kandimalla, a 73-year-old Chennai-based photographer and retired electronics engineer, has been pursuing photography with passion for over two decades, focusing on architecture and landscapes.
• He recently visited Thirumalai Nayak Palace in madurai, exploring its detailed courtyards and ornate architectural features through his camera.
• He was the chief guest at a World Photography Day festivity in Visakhapatnam and continues to teach workshops,write extensively on photography techniques,and mentor budding photographers.
• Ashok learned the basics of photography from his father at age 12. His great-grandmother was also a photographer.
• He has photographed wildlife extensively but expressed concerns about unethical wildlife photography practices affecting natural habitats.
• Ashok actively contributes to photographic societies like the Photographic Society of Madras and Telangana Photographic Society. He served as president of one society and remains visiting faculty at Mindscreen Film Institute in chennai.
• Recognition includes honorary membership from Bengaluru’s Youth Photographic Society and awards such as receiving honours from Lino Manfrotto of Italy.

Images accompanying the article:

1. Interaction with students during World Photography Day.
2. Architectural photograph by Ashok Kandimalla.
3. Wildlife photo captured by him (flamingo at Pulicat Lake).

Indian Opinion Analysis:

Ashok Kandimalla’s journey underscores how passion can transcend professional careers into meaningful post-retirement pursuits that contribute to society’s creative spaces. His dedication to architecture gives insight into India’s rich heritage while emphasizing technical precision in art forms like photography-a notable nod toward preserving cultural nuances.

The concern he raised about unethical wildlife photography practices opens up broader discussions around balancing art with ecological ethics-an issue that intersects creativity with conservationism rarely explored deeply in India yet deserving attention given its impact on biodiversity.

His active participation within photographic societies represents an encouraging model for fostering collaborative networks among practitioners across generations-a step forward for nurturing talent while championing innovation rooted in tradition.

For more details: Read more