Reema Kagti: Prioritizing Music Over Visuals in Filmmaking

Speedy Summary

• Reema Kagti emphasizes the importance of music in cinema, stating sound accounts for 60% and visuals for 40% when watching films.
• Music plays a crucial role in projects by Zoya Akhtar and Reema Kagti, such as talaash, Gully Boy, and Made In Heaven.
• Both filmmakers express their love for diverse genres of music including western classical, Hindustani classical, jazz, 80s pop, and Bollywood hits.
• Zoya Akhtar and Reema Kagti have launched their debut album under a new music label in collaboration with musician Ankur Tewari called city Sessions.
• The album follows an organic collaborative process instead of relying on digital shortcuts or AI-generated content.
• Featuring six original tracks by self-reliant artists Neel Adhikari, pushan Kripalani (Slight Diversion), and Arijit Datta (Airport), it aims too highlight singer-songwriters as modern-day storytellers.

Indian Opinion Analysis

the launch of the City Sessions album by Zoya Akhtar and Reema Kagti reflects a notable effort to spotlight genuine artistry amidst growing reliance on AI-driven production techniques. As India continues to evolve its creative industries, initiatives like these promote individuality over automation while fostering collaboration among independent musicians. This endeavour renews focus on authenticity in art forms-a vital reminder in an increasingly digitized world.

Such projects may serve dual purposes: preserving India’s rich musical diversity while offering opportunities for lesser-known artists to gain recognition. Furthermore,embracing “live” organic processes could resonate with audiences who appreciate nostalgia-laden experiences connected to traditional storytelling through music.

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