Read More: DNA India
The clash between Sandeep Reddy Vanga’s defense of his filmmaking process and Vikas Divyakirti’s critique reflects ongoing debates about balancing artistic freedom with societal accountability.While “Animal” appears to have struck a chord commercially, concerns about its portrayal of toxic masculinity highlight larger discussions on cinema’s evolving role in shaping societal norms.
Sandeep’s argument comparing filmmaking to cracking IAS underscores differing perspectives on skillsets; however, it sidesteps deeper questions regarding responsibility in storytelling. Meanwhile, Divyakirti’s remarks question the ethics of profit-driven content creation at odds with progressive values in art. This exchange points to an essential dialog within India’s cultural sphere-how creativity can align with contemporary ethical standards without stifling artistic expression.