
Chennai Love Story, which earned nearly Rs 50 crore at the box office after its July 24 theatrical release, has drawn harsh criticism from viewers after its August 21 debut on SonyLIV. The Kiran Abbavaram and Sri Gouri Priya film, written by Sai Rajesh and directed by Ravi Namburi, enjoyed decent theatrical support despite mixed reviews. However, OTT audiences are calling it a bore, with many questioning how it became a commercial hit.

Digital viewers are particularly critical of the second half, especially the portions after the protagonist dies and returns as a spirit. The climax has also been widely panned. Some viewers have compared the emotional writing unfavorably to Sai Rajesh's earlier film Baby, calling the dialogues cringe. Gouri Priya’s performance, however, has received praise. Trade experts attribute the contrasting reactions to the big-screen experience, songs and visuals that worked in theatres losing their impact on OTT.
Telugucinema.com frames the OTT backlash as a plain reporting of viewer reactions, calling the film a 'big bore' after its digital premier. M9.news frames the same reactions as a 'brutal but expected' verdict, speculating that theatrical success relied on big-screen spectacle while OTT exposes narrative weaknesses. M9's sensationalist framing overstates the shock value, while Telugucinema.com's neutral tone omits the box-office number (Rs 50 crore gross) that M9 presents as a puzzling contrast. A careful reader notes: the film was a theatrical hit despite weak content, suggesting that immersive presentation matters more than plot coherence for Telugu film audiences. The split between OTT scorn and ticket-buyer approval will test whether producers adjust their strategy for digital-first releases going forward.
Coverage: 2 sources, 1 neutral, 1 sensationalist
Sources (2): telugucinema.com (neutral report), m9.news (sensationalist)
This story was synthesised by AI from the 2 sources linked above. Methodology and corrections.
Updated: this story now draws on 2 sources.