
Filmmaker Shekhar Kapur revealed that his 1983 directorial debut 'Masoom' opened to nearly empty theatres, leaving him questioning his career. In a social media post, Kapur shared that on the first day…
Filmmaker Shekhar Kapur revealed that his 1983 directorial debut 'Masoom' opened to nearly empty theatres, leaving him questioning his career. In a social media post, Kapur shared that on the first day of release, only two people were in the hall, including himself. Distributors were ready to back out as the film failed to draw audiences in its opening days.

Kapur recounted that black marketeers who had bought bulk tickets surrounded him angrily when they saw empty halls, but one took pity and warned him he had made an 'article film', meaning art film. However, by the following Thursday, word of mouth turned things around: one hall filled up, then queues formed, and distributors scrambled to get back the halls they had given up. 'Masoom' eventually became a cult classic and a hit.
The filmmaker, now planning a sequel titled 'Masoom, the next generation', ended his post reflecting on how the turnaround happened despite hardly anyone initially seeing the film.
The story of 'Masoom' is a classic Bollywood underdog narrative, but its real significance lies in how it changed the industry's perception of art-house cinema. At a time when mainstream Bollywood was dominated by formulaic masala films, Kapur's intimate family drama was a risk. The film's eventual success proved that audiences could embrace nuanced storytelling if given time. The sequel, announced decades later, will test whether that same audience appetite exists today. Kapur's anecdote also highlights the power of word-of-mouth marketing long before social media existed.
Watch for casting announcements for 'Masoom, the next generation', which will reveal whether Kapur aims for a similar tone or adapts the story for modern sensibilities.
Source: timesofindia.indiatimes.com
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